Help us fully return to our stages and support our community of artists, freelancers, craftspeople and theatre workers. Your existing Royal Opera House account information will not be valid here. There are certain things you just can’t get watching from your laptop, like the power of communal silence. Joy … Marcelino Sambé and Anna Rose O’Sullivan’s pas de deux from La Fille mal gardée. The Royal Ballet is Back on Stage and returns for a special live-streamed celebration performance on Friday 9 October at 7.30pm BST. Please note that all ROH performances and participating artists are subject to change due to Covid-19 restrictions. Partner Matthew Ball brings his A-game in the leaping stakes with flashy revoltades, shooting himself up towards the roof. Available to watch until 8 November at roh.org.uk. After an absence of seven months, The Royal Ballet are joined by the Orchestra of the Royal Opera House to broadcast this live performance from the Main Stage to wherever you are in the world in a celebration of ballet. Dancer Natalia Osipova (Medusa); Solo violin Vasko Vassilev; Solo cello Christopher Vanderspar, Choreography Wayne McGregor; Music Max Richter; Costume designer Moritz Junge, Dancers Edward Watson, Akane Takada, Calvin Richardson, Choreography Marius Petipa; Music Ludwig Minkus, arranged and orchestrated by Martin Yates; Costume designer Tim Hatley, Dancers Marianela Nuñez (Kitri) and Vadim Muntagirov (Basilio). Tickets for upcoming events are only available online, Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775), ‘Sunflower Slow Drag’/’Elite Syncopations’ The Company, ‘The Cascades’ Claire Calvert, Gina Storm-Jensen and Romany Pajdak, ‘Hot-House Rag’ Benjamin Ella, Téo Dubreuil, Fernando Montaño and David Yudes, ‘The Golden Hours’ Meaghan Grace Hinkis and Luca Acri, ‘The Alaskan Rag’ Melissa Hamilto and Paul Kay, ‘Bethena (Concert Waltz)’ Yasmine Naghdi and Nicol Edmonds. You can find out more about how to access this event here. THE ROYAL BALLET: BACK ON STAGE Conductor JONATHAN LO ELITE SYNCOPATIONS Piano Conductor ROBERT CLARK ORCHESTRA OF THE ROYAL OPERA HOUSE Concert Master VASKO VASSILEV Introduced by ANITA RANI FRIDAY 9 OCTOBER 2020 For the first time in seven months, the entire Company will … But when the overture starts, you sink into your seat in the dark and let your mind off the leash, as what you’ve been missing floods back. A special live-streamed performance tonight, Friday 13 November at 7.30pm GMT of the gala The Royal Ballet: Back on Stage, will be available through The Royal … • The Royal Ballet: Back on Stage will be streamed by the Royal Opera House, 9 October-8 November. Vadim’s double double tour diagonal and Marianela’s open arm fouettés were impressive. The Royal Ballet is Back on Stage, returning for a special live-streamed celebration performance on Friday 9 October at 7.30pm.After an absence of seven months, the full Company will be reunited on their home stage with the Orchestra of the Royal Opera House in a spectacular collection of ballet highlights from the repertory. He replied that he wanted to represent the Royal Ballet’s repertoire and to get every member of the company on stage. … There’s no socialising, no smiles and chat and clinking drinks, and no pretending this is back to normal. This event will be streamed on our ROH streaming site, and you will need to create an account to buy access. The performance of the ‘Diamonds’ pas de deux, a Balanchine Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique®. Some couples (who live together, or have been regularly tested) are allowed to dance together, others partner at arm’s length. For further information, visit frederickashton.org.uk. But, Hayward carries the same optimism that the Royal Opera House radiates with tonight’s Back On Stage performance. Royal Opera House’s Learning and Participation film, Doncaster Dances shows the power and reach of the traffic of the Royal Opera House stage. This celebration, curated by Royal Ballet Director, Kevin O’Hare, will shine a light on the acclaimed artistry and incredible talent of the dancers, the dazzling breadth of the Company’s distinctive repertory and the brilliance of the Royal Opera House creative and production teams. Every member of the Royal Ballet gets a chance to dance, which adds up to more than three hours on stage (with interludes from presenter Anita Rani, mainly of the “How does it feel to be back? Royal Ballet Principals Matthew Ball, Federico Bonelli, Alexander Campbell, Francesca Hayward, Ryoichi Hirano, Sarah Lamb, Laura Morera, Vadim Muntagirov, Yasmine Naghdi, Marianela Nuñez, Natalia Osipova, Marcelino Sambé, Akane Takada and Edward Watson return to the stage with the full Company, joined by the Orchestra of the Royal Opera House and conducted by Jonathan Lo. After an absence of seven months, The Royal Ballet are joined by the Orchestra of the Royal Opera House to broadcast this live performance from the Main Stage to wherever you are in the world … La Fille mal gardée by Ferdinand Hérold in the arrangement and orchestration by John Lanchbery ©Oxford University Press 1963, 2003. • Available to watch until 8 November at roh.org.uk. View or download the cast sheet for the performance. The Royal Ballet: Back on Stage. Highlights from the Royal Opera House Learning and Participation dance film, Doncaster Dances. You’d never guess they’d all been off for months. Watch The Royal Ballet as the whole Company reunites on their home stage to perform a spectacular collection of highlights from their repertory. We just sat transfixed for three hours watching all our old friends back on stage - what an emotional performance. Yasmine Naghdi is nigh-on perfect leading the troupe, and Claire Calvert shows she knows how to command the moment in the Calliope Rag. I can imagine how difficult it would have been to ensure space for all the 'stars' and a good mixed programme for the (perhaps not all ballet savvy) audience. The Royal Ballet is Back on Stage, returning for a special live-streamed celebration performance on Friday 9 October at 7.30pm. Tomorrow, most of The Royal Ballet company will be dancing live from their home stage at the Royal Opera House in Covent Garden, for the first time since lockdown. “The Royal Ballet: Back on Stage” was exactly that: Britain’s greatest dance company returning after a miserable, Covid-compelled absence of seven months. The performance of Elite Syncopations and excerpts from Carousel and Romeo and Juliet are presented by kind permission of Kenneth MacMillan and Partner. The Frederick Ashton Foundation, a registered charity working independently of, but in close association with, The Royal Ballet, exists to enrich the legacy of Frederick Ashton™ and his ballets. Yes, I could contextualise about how this was … A notable mention for Natalia Osipova’s mesmerisingly tentacular arms in a solo from Sidi Larbi Cherkaoui’s Medusa. 5007040 125.00, Woolf Works Composed by Max Richter. Socialising, no smiles and chat and clinking drinks, and no pretending this Back. 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