Stars: Hot-button issues emerge naturally out of this basic premise, thereby letting Whannell sidestep overt preaching in favor of orchestrating a series of finely tuned set pieces in which lethal danger might materialize at any moment, from any direction. Those jaw-dropping sights alone make Nelson’s latest a must-see. Writer/director Bryan Bertino once again takes a simple premise and maximizes it for unbearable tension, drawing out white-knuckle suspense from Louise and Michael’s efforts to grapple with tragedy (and impending loss) while simultaneously reckoning with unholy forces beyond their comprehension or control. That Buckley’s protagonist is referred to with various names speaks to her fuzzy, fragmented identity, just as the film’s blend of comedy and horror, as well as intricate dialogue and interior narration, speaks to its duality-centric nature. Thrillingly grand and revealingly intimate, it paints a timely portrait of the heroism, and sacrifices, required to uphold democracy. Check out December 2020 movies and get ratings, reviews, trailers and clips for new and popular movies. Tom Astor, Director: Stars: Using cheery smiles and go-getter glares to conceal profound depths of resentment, ambition and greed, Hugh Jackman gives the performance of his career as Roslyn, Long Island public school superintendent Dr. Frank Tassone in Bad Education. Ariel Schulman | Gross: David Cronenberg’s writer/director son Brandon proves himself a chip off the old body-horror block with Possessor, a twisted sci-fi thriller about a near future in which assassin Tasya Vos (Andrea Riseborough) carries out her hits by hooking herself up to a face-hugger-style machine and “entering” another person’s mind and body, whom she then manipulates like a puppet. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. With On the Rocks, Sofia Coppola reunites with her Lost in Translation star Bill Murray for another odyssey involving a young woman and an older man. Tenet may be the ultimate Christopher Nolan movie, distilling the director’s aesthetic style, storytelling conventions and thematic preoccupations down to their abstract essence. Bruce Davis, R | 138 min As the focus of this saga of aging and survival, fragility and strength, Johnson is a boundless delight, charming and candid and open-hearted even as his memory begins to wane and his daughter has him watch his own mock funeral (attended by friends and family). | Drama, Mystery, Sci-Fi. Few directors are as attentive to the rhythms of nature – human and otherwise – as Kelly Reichardt, and the filmmaker’s formidable skill at evoking a sense of place, thought, emotion and motivation is on breathtaking display in First Cow. 102 min Forced to flee their native land by inter-tribal warfare, and then compelled to assimilate in a foreign environment where locals glare at them with suspicion and revulsion, the couple prove figuratively homeless no matter which way they turn. Alison Brie, The story of mime Marcel Marceau as he works with a group of Jewish boy scouts and the French Resistance to save the lives of ten thousand orphans during World War II. Chris Pratt, | | Nicolas Cage and H.P. | Putting a poignant face on a contentious social topic, Never Rarely Sometimes Always tells the story of pregnant Pennsylvania 17-year-old Autumn (Sidney Flanigan), who with her loyal cousin Skylar (Talia Ryder) by her side, travels to New York to procure an abortion. Lily Collins, | His aesthetics as probing as his writing is dexterous, Kaufman overstuffs his material with literary and cinematic shout-outs (and critiques), all while blurring the line between reality and fantasy until such distinctions cease to matter. Biography, Drama, History. Not just a portrait of Neulinger’s internalized misery, it’s also a case study of how sexual misconduct is a crime passed on from generation to generation, a fact borne out by further revelations about his father’s upbringing alongside his assaultive brothers. Deepfake technology gets a stunning workout in Welcome to Chechnya, as documentarian David France uses the face-transforming device to mask the identities of his subjects: a group of LGBTQ+ activists intent on smuggling gay men and women out of their native Chechnya before the government can kidnap, torture and murder them. Anya Taylor-Joy, Stars: Director: When terrorists try to seize control of a Berlin-Paris flight, a soft-spoken American co-pilot struggles to save the lives of the passengers and crew while forging a surprising connection with one of the hijackers. Director: Tom Holland, | Sara Sohn, Jon Stewart The writer/director employs narration, shifts in perspective, flashbacks, and wild dramatic scenes—both male and female Edens and Avivas sometimes share the screen, partying, arguing or having passionate sex—to provide an intimate sense of the desires and fears propelling these conjoined figures forward. No matter that her characters are plagued by malevolent supernatural forces, Natalie Erika James’ directorial debut is a thriller with grimly realistic business on its mind. $53.80M, PG-13 | A Civil War veteran agrees to deliver a girl, taken by the Kiowa people years ago, to her aunt and uncle, against her will. 129 min | An immigrant who rivaled Thomas Eddison (Kyle MacLachlan) and partnered with George Westinghouse (Jim Gaffigan), JP Morgan (Donnie Keshawarz), and Sarah Bernhardt (Rebecca Dayan), Almereyda’s Tesla (Ethan Hawke) is a stoic genius with determination in his eyes and sadness at the corners of his mouth. Christopher Renz In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. There’s not much mystery to this tale of forbidden desire, but considerable restraint and subtlety, as Lee exquisitely conveys Mary and Charlotte’s emotional states through shrewd, textured compositions of Mary’s spartan home (which she shares with her mother) and oceanic workplace. Cookie and King Lu’s attempt to rise above their socio-economic station through a criminal scheme, and the potential disaster that awaits them, is the suspenseful heart of this tranquil quasi-thriller, which – awash in redolent faces, gestures and customs – imparts an understated impression of the forces propelling its characters, and the pioneering nation, forward. | Mia Goth, Kingsley Ben-Adir, As Steve soon learns, synchronic has the capacity to spirit users to bygone eras, which instigates a quest that speaks directly to larger issues of mortality, loss, grief, and the push-pull between dreams and reality. Director: A descendant of Jan Švankmajer and the Brothers Quay, Cristóbal León and Joaquín Cociña’s The Wolf House is a mesmerizing stop-motion storybook fable about a young girl named Maria who flees her Chilean-situated German colony (based on the notorious real-life Colonia Dignidad, formed by ex-Nazis) and, to protect herself from a predatory wolf, takes refuge in a house in the woods. Sam Claflin, Stars: Tom Hardy’s gift for hulking intensity and charismatic growling are in full effect in Capone, a fictionalized account of the last year in the life of the legendary American gangster. Iya cares for Pashka (Timofey Glazkov), the young son of her frontlines friend Masha (Vasilisa Perelygina), and when Masha appears to reclaim her child – only to learn of an unthinkable tragedy – their relationship buckles under the weight of grief, guilt, regret, resentment and need. | Brian Eisch’s overseas tours of duty took an immense toll on his two young sons, Isaac and Joey, and his return home from the battlefield with a catastrophic leg injury only compounded their unique family dynamic. Maria Bakalova, | A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path. In private moments alone and between the two, the director illustrates how the act of seeing each other – truly, and without prejudice – is key to their shared affection, thereby turning his documentary into a tribute to the transformative power of empathy. Misha Osherovich, TV-14 Aylin Tezel, Director: Bio-terror comes in corrupting forms in The Beach House, whose contagion-based scares speak, subtly if severely, to our present moment. 120 min Vanessa Kirby, As we are already done with a few months of 2020, now is the time to get started with the A swirling psychodrama about loss of reality – and thus, self – the film is wrenching precisely because it doesn’t unduly pull on the heartstrings; rather, Zeller respectfully evokes the grand and subtle horrors of this all-too-common nightmare, with Hopkins embodying Anthony with pitiable mystification, malice and dread. | Jonathan Jakubowicz Antonio Campos Director: | Diana must contend with a work colleague and businessman, whose desire for extreme wealth sends the world down a path of destruction, after an ancient artifact that grants wishes goes missing. Stars: Anya Taylor-Joy, Stars: Sneaking swigs of booze, of course, has a predictable downside, and Vinterberg’s film (co-written by Tobias Lindholm) charts his protagonists’ revitalizing high and inevitable crash with compassionate attention to the malaise of middle age and the temporary bliss that comes from getting good and blitzed. Also generating pathos from agonized father-son traumas, it’s a male weepy that, courtesy of its well-calibrated empathy, earns its melodramatic tears.Watch Now. Rife with betrayals, manhunts and shootouts, the auteur’s narrative is constantly taking sharp, unexpected turns, and the same is true of his breathtaking direction, which reveals unseen figures, and twists, via elegant camerawork and expressionistic flourishes that are married to a realistic depiction of rain-soaked Wuhan and its lawless lakeside communities. 124 min Gerard Bush, A young boy and his grandmother have a run-in with a coven of witches and their leader. Stars: Driveways isn’t simply one of the late Brian Dennehy’s final performances—it’s also one of his finest. | The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. Oldman is magnetic as the dissolute scribe, and Seyfried is even better as the not-as-dumb-as-you-think blonde starlet. Action, Drama, History. Stars: Directing his first feature since being booted off of 1996’s The Island of Dr. Moreau, Richard Stanley brings trippy majesty to his adaptation of Lovecraft’s short story about a family – led by Cage’s cassoulet-cooking dad and Joely Richardson’s breadwinning financial-whiz mom – whose lives in rural Arkham are upended after a meteor crashes in their backyard, spawning menacing magenta foliage, absorbing lightning, and radiating not-of-this-Earth colors. Article reviewed on May 13, 2020. Action, Crime, Sci-Fi. When a pill that gives its users unpredictable superpowers for five minutes hits the streets of New Orleans, a teenage dealer and a local cop must team with an ex-soldier to take down the group responsible for its creation. 86 min Comedy, Drama, Romance. Stars: Stars: 2020 movies, 2020 movie release dates, and 2020 movies in theaters. Twelve strangers wake up in a clearing. There’s no filmmaker working today more adept at generating scares via the sudden appearance of shadowy background figures, or at prolonging sequences to their nerve-wracking breaking point. 88 min | | Despair, desire, and madness are all entangled in Josephine Decker’s Shirley, about the late horror writer Shirley Jackson’s (Elisabeth Moss) attempt to pen her sophomore novel Hangsaman while dealing with her unfaithful critic/professor husband Stanley Edgar Hyman (Michael Stuhlbarg) as well as two boarders, aspiring academic Fred (Logan Lerman) and his pregnant wife Rose (Odessa Young). Director: Forced to navigate a chauvinistic world that treats them as disposable sexual playthings, denigrates them as whores when they attempt to fulfill that role, and then thwarts their desire for agency – and independence – at every turn, Autumn’s saga is all the more heartbreaking for being so ordinary. Director: A famous horror writer finds inspiration for her next book after she and her husband take in a young couple. Kristin Scott Thomas, | Chris Pine has heard just about nothing about plans for Star Trek 4.. Martin Lawrence, | That domicile is in a constant state of transmutation, as is Maria and the two pigs she finds inside, which she transforms into her de facto children. Elliot Page, the Oscar-nominated star of “Juno,” announced on Tuesday that he is transgender. Director: Comedy. Elisabeth Shue, | Oliver Jackson-Cohen, McDormand constructs a towering performance from subtle gestures and expressions, her Fern at once a part of the expansive landscapes in which she roams—and the band of fellow nomads she befriends, including David (David Strathairn)—and yet also separate from them. Logan Lerman, PG-13 Al Madrigal, 91 min Comedy, Musical, Romance. Alexander Nanau’s bracing and vital documentary concerns the fallout from the October 30, 2015 fire at the Colectiv nightclub in Bucharest, Romania that resulted in 27 immediate deaths, and the resignation of the ruling Social Democratic administration. Stars: Mit TV Movie im Abo sind Sie nie mehr im falschen Film. Director: Yet there are profound depths to director Chloé Zhao’s follow-up to 2018’s The Rider, steeped as her film is in swirling issues of loss and sorrow, discovery and wonder, hardship and survival, and loneliness and togetherness. The true story of a mother’s search for her missing child, Netflix’s Lost Girls is a clear-eyed and moving expose about the many ways in which troubled young women are let down by parents, police and society at large. Adapted from Jonathan Raymond’s novel The Half Life, Reichardt’s slow-burn drama focuses on a nomadic 1820s chef named Cookie (John Magaro) who, after arriving at a Pacific Northwest fort, befriends and goes into business with on-the-run Chinese loner King Lu (Orion Lee), baking and selling popular “oily cakes” made with milk stolen from a dairy cow owned by wealthy Chief Factor (Toby Jones). Action, Sci-Fi, Thriller. Director Pietro Marcello’s adaptation of Jack London’s caustic 1909 novel relocates its action from America to Italy (circa the decades between World War I and II) to follow the tumultuous trajectory of Martin Eden (Luca Marinelli), a lowly sailor inspired by his aristocratic paramour Elena (Jessica Cressy) to embark on an autodidactic quest to elevate himself educationally, culturally and politically. Robert Zemeckis Joseph Gordon-Levitt, Eliot Glazer, R Eli Goree, | Stars: By Hunter Levitan and Niko Newbould. The way in which nature, history, dreams and myth intertwine is a central focus here, as Herzog expresses how he and his subject were kindred spirits bonded by a shared fascination with ancient knowledge and a habit of embellishing facts in order to get at a deeper “ecstatic truth.” Though the director employs considerable archival material, its footage of his own journeys – set to Ernst Reijseger’s eclectic score – that really gets to the heart of Chatwin as an itinerant artist drawn to life’s far corners, and enduring mysteries. | Jessie Ennis, Michael Showalter Ree reveals such connections through subtle juxtapositions that emerge naturally from his subjects’ day-to-day travails, which eventually involve financial hardships and a near-fatal car crash for Nordland. Ned Dennehy, 101 min At four-and-a-half hours, the legend’s latest sociological investigation paints a sprawling portrait of the work that goes into maintaining, and improving, a metropolis, especially when said locale is undergoing a significant demographic transformation (55% of Boston is now non-white), and its economic inequality is complicated by a host of racial, gender and class-related issues. Anna Camp, R Odessa Young, Beginning with Kysilkova’s decision to paint Nordland’s portrait (peaking with one of the year’s most stunning scenes), their bond is forged by underlying similarities: traumatic and abusive pasts, as well as their habit of risking their lives for their addictions – in his case, drugs; in hers, painting. Octavia Spencer, Alice Braga, PG 102 min A vertical prison with one cell per level. Ike Barinholtz, Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. Aldis Hodge, Votes: Determined to document her father’s decline, Johnson charts her time by her father’s side while simultaneously, and crazily, staging fanciful fictional scenarios involving his death—from getting hit on the head by a falling air conditioner, to being accidentally stabbed by a construction worker—as well as sequences of him reveling in a glittery heaven full of dancers wearing cardboard cut-outs of his, and his wife’s, younger visages. Paddy Considine, PG-13 Kathryn Newton, A teenager living with her working-class family on a council estate in Wolverhampton, England, grows up to become a popular but conflicted music journalist. Its formal structure intrinsically wedded to its shocking story, Neulinger’s film reveals its monstrous particulars in a gradual bits-and-pieces manner that echoes his own childhood process of articulating his experiences to others. Ryder Lerum, 93 min Gail Cronauer, | Bo Burnham, Matt Helm, PG-13 Every performance is magnificent, but no one in the cast stands taller than the diminutive Kim, whose turn is irresistibly authentic and charming. Drama, History, Thriller. | Janina Gavankar, The specter of death is everywhere in this rustic residence, whose cluttered boxes and myriad artifacts are reflections of its owner’s mind, and whose creepy wall rot is echoed on Edna’s aged body. Director: | A Democratic strategist helps a retired veteran run for mayor in a small, conservative Midwest town. Kornél Mundruczó Ralph Berkin, PG A musical adaptation of the 1983 film. Cathy Yan At the same time, he reveals the ways in which the white status quo – embodied by villainous PC Pulley (Sam Spruell) – sought to destroy it. Tom Hanks, Director: Betty Gilpin, Mirjam Novak, | 113 min That the Russian-controlled state is on a genocidal mission to “cleanse the blood” of the nation by exterminating its homosexual population is a terrifying reality brought to light by France, who details the efforts of these brave souls to use subterfuge to sneak at-risk individuals to safer European enclaves. Adapting his own stage play with puzzle-box formal rigorousness, Zeller situates his action in Anthony’s flat, where he’s visited by a collection of individuals whose identities – and circumstances – seem to change on a whim, be it his daughter Anne (Olivia Colman), a woman who might also be Anne (Olivia Williams), two men who are apparently Anne’s husband (Mark Gatiss and Rufus Sewell), and a new nursing aid (Imogen Poots) who closely resembles Anthony’s younger (and possibly dead?) Drinks and hallucinogenic edibles help alleviate the initial awkwardness of this get-together, but the good times are fleeting, thanks to a strange mist emanating from the dark, furious depths of the ocean, which contaminates the area with glowing Lovecraftian foliage and giant, slimy organisms. Aldis Hodge, Charlie Hunnam, | | Mary Elizabeth Winstead, Eddie Redmayne, Bill and Turner Ross’ unique documentary-fiction hybrid depicts the end of the road for The Roaring 20s, a dive bar on the outskirts of the Las Vegas strip where a motley collection of boozehounds come for one final closing-night round of intoxicated camaraderie and revelry. Though you won’t hear Harvey Weinstein’s name uttered once, his presence is palpable throughout this clinical story about Jane (a sterling Julia Garner), whose position as the low woman on the totem pole at a film production company necessitates enduring mistreatment of both a subtle and overt sort. Chris Pine, Christopher Nolan Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. The tension between them, however, is only one facet of this semi-improvised drama, which also features a clandestine accord struck by Alice’s beloved nephew Tyler (Lucas Hedges) and her new agent Karen (Gemma Chan), both of whom are on the ship, the latter covertly. Back in 2000, the movie blew us away. A couple (Issa Rae and Kumail Nanjiani) experiences a defining moment in their relationship when they are unintentionally embroiled in a murder mystery. With City Hall, 90-year-old documentarian Frederick Wiseman trains his critical eye on the city of Boston and the many civic institutions and organizations that keep it running. Director: Sarah Paulson, Period Movies 2020 List: News of the World • Wonder Woman 1984 • 1917 • Mulan • Emma • True History of the Kelly Gang • The Secret Garden 102 min James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. 95 min Father Soldier Son spends ten years with the Eisch clan as they struggle to overcome various hardships wrought by military service, as the now-disabled Brian grapples with depression and loss of identity, and his boys come to grips with a new, strained reality that permanently alters their emotional and psychological outlook on their own situations, and plans for the future. Jack Huston, R | Trapped in a palatial Florida estate, his mind deteriorating thanks to neurosyphilitic dementia, Al Capone (Hardy) rants, raves, soils himself and freaks out over hallucinatory visions of people, and events, from his past. Donald Ray Pollock, Fourteen years after becoming a household name, Sacha Baron Cohen’s Khazakstani reporter Borat Sagdiyev returns to mock racist, misogynistic, anti-Semitic Americans in Borat Subsequent Moviefilm, the rare comedy sequel to equal the side-splitting hilarity of its predecessor. Even amidst such insanity, however, the filmmaker never loses sight of his characters’ humanity, nor their humorousness, be it Tommy Chong’s local squatter or Cage’s paterfamilias, a dork prone to fits of rage and weirdness – such as when he demonstrates the proper way to milk an alpaca. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end. | Brandon Trost Charlie Heaton, Nonetheless, amidst such incessant, graphic cruelty, compassion fleetingly materializes in the form of a kindly priest (Harvey Keitel), a Nazi soldier (Stellan Skarsgård) and a Russian sniper (Barry Pepper) who teaches him about “eye for an eye” justice. | With modern economic and social dynamics as its narrative backdrop, Zhao’s film locates beauty, fear, danger and quiet euphoria in Fern’s wandering search for contentment, which proves that being alone and being lonely aren’t always the same thing. | Miami detectives Mike Lowrey and Marcus Burnett must face off against a mother-and-son pair of drug lords who wreak vengeful havoc on their city. 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